Context, Research and Reflections around my Practice
Play – Exquisite Corpse: Critique/my work
In this workshop, we collaborated as a group in generating lots of images and drawings of objects that could signify body parts – these were all photocopied and scaled in various ways to give us uniformly black and white copies. We were then tasked to create a series of characters with these body parts in collage.
The final works I created are shown above – at the end of the workshop we walked around looking at each other’s work and came together for a brief critique, where we picked out ones we thought worked well and why. My image of the kettle with the moustache (left most on the right hand image) was picked out by several peers as being interesting, for seeming in motion, or suggesting a gesture of dance, due to how I had placed the different pieces at different angles.
For the left hand figure here, I was keen to make use of this folk icon sculpture, particularly due to the interesting form and large scale. I wanted to play with this sense of solidity with a small or off-balance leg so experimented with a few options.
I enjoyed this exercise especially. I think my most successful figures used shapes and forms that I had not myself selected from the material, and I found this allowed me some ‘distance’ to objectively select what I found to be most interested and explore different combinations more easily. The forms I had found (the crab, the lampshades) perhaps did not do as successfully because I had a bias to ensuring they were used and so perhaps working them in where they might not have been entirely best suited? I do like all my figures but I think some (the teapot, the wheel) are more complete than others.