Impermanence: my work & research

Since the lecture on approaches to drawing, I’ve been interested in thinking about impermanence in art and materials disintegrating.

This specifically was sparked by the mention of artist Amanda McCavour who creates ‘thread drawings’ on water-soluble fabric. One material (the thread) remains while the other (the fabric) disappears.

I think this is different to auto-destructive / destruction art. Where the whole piece might be destroyed in the process, e.g. Gustav Metzger’s acid paintings, or Banksy’s Love is in the Bin. Instead it is the juxtaposition of something ceasing to be, while something else endures. For me, this is akin to memento mori. We are reminded of our own mortality, while at the same time viewing something that will endure beyond the life of the subject.

I looked to other water soluble materials to experiment with this idea. In both tests I took the paper and ran it under the tap directly – this alone let the pen run, but I had to stroke the sketch itself in order to distort it directly. In both cases I chose to use imagery/text that directly act as memento mori.

I think this was an interesting experiment, but I wonder if it is a little too obvious? I may try to incorporate this into a more subtle approach.

Another thought I had was to make use of fleeting phenomenon to explore impermanence. In particular, shadow. In the process of making one of the objects for my survival kit, I happened upon an interesting shadow form as I was exploring it in suspension

I would be interested in exploring this theme further also. I am aware of artists creating sculptures in order to cast figurative shadows, but am not yet aware of more abstract shadow pieces, which I am interested to look into.

Detail of shadow cast by Kira Freije’s Standing Woman Arms Folded, RA