An alarm clock seems a highly relevant object to be depicting here – alarm and a sense of urgency is precisely what is needed to drive action, and you do not allow an alarm clock to keep on ringing once it goes off – you act.
In my first drawing of the clock, I considered what time to show on the face. It immediately occurred that in depicting an analogue clock face, I could show the doomsday clock as it stands in 2019 (at two minutes to midnight https://thebulletin.org/doomsday-clock/current-time/ )
Yesterday, Greta Thunberg gave an impassioned and uncomfortable speech to the UN Climate Summit, berating them for not acting on climate change, despite the 30 years of science warning them of the consequences. It is chilling to think of the inaction of society against such an existential threat.
This made me think of the allegory of zombies used by George Romero in his 1978 film Dawn of the Dead, as a scathing critique of consumerist culture in the Western world. The zombies’ lumbering gait and slow speed imply an inevitable threat (like climate change) but also we see they are un-thinkingly stuck within the habits they have formed in their human lives – in the film we see the zombies gravitate to the mall, and this highlights just how irrational this constant need for more is. Even more starkly, the living protagonists fight to the death over their ownership of the resources within the mall – they cannot separate their need to possess from the drive to survive. Just like these protagonists/zombies, we cannot break free of the habits of our lives despite the existential threat looming in the climate crisis, and politicians to now have sought to assuage the guilt we might feel with empty reassurances and hope rather than action.
This made me reflect on the use by Extinction Rebellion of the egg timer logo and the slogan ‘Time’s Up’. I wondered if another apt slogan might be ‘Wake Up’, in response to the idea of us and our governments being like zombies or sleepwalkers on the climate crisis.
In their return tour in the 2000s, Rage Against the Machine frontman Zack de la Rocha used this song as a platform to raise awareness on key political and social issues, by making a speech towards the end of the song during a more quiet section, to be followed by him screaming ‘WAKE UP’ 8 times.
And in the face of all this propaganda I wanna say, we have here to unite here in Europe, we have to unite here in Europe across ethnic lines across religious differences across racial lines and its now the lines are clear. It’s us against the wealthy plain and simple. It’s time to wake up. WAKE UP.
I was interested in looking more into how graphic artists have influenced the imagery of protest. One such artist of recent times is Patrick Thomas, who with his book the Protest Stencil Toolkit sought to provide activists with ready-to-go icons to use in protest banners and materials, or even street art. This builds on the relationship street art now has with social consciousness and bringing art to a wider audience – catalysed by Banksy (see below).
Banksy has long portrayed environmental concerns in his street art, but has credibly been attributed a mural that is linked to Extinction Rebellion in 2019. The use of child-like handwriting and depiction of children underlines the importance of protecting future generations – a key message of Extinction Rebellion. That his artworks are generally to be found in public spaces means that it is truly art for the masses, and speaking directly to them (without the curation of an elite art world). In this way, it may break down the artifice and engage with people more meaningfully than other art might – and so potentially be more persuasive.