I was interested in looking more into how graphic artists have influenced the imagery of protest. One such artist of recent times is Patrick Thomas, who with his book the Protest Stencil Toolkit sought to provide activists with ready-to-go icons to use in protest banners and materials, or even street art. This builds on the relationship street art now has with social consciousness and bringing art to a wider audience – catalysed by Banksy (see below).
Banksy has long portrayed environmental concerns in his street art, but has credibly been attributed a mural that is linked to Extinction Rebellion in 2019. The use of child-like handwriting and depiction of children underlines the importance of protecting future generations – a key message of Extinction Rebellion. That his artworks are generally to be found in public spaces means that it is truly art for the masses, and speaking directly to them (without the curation of an elite art world). In this way, it may break down the artifice and engage with people more meaningfully than other art might – and so potentially be more persuasive.